KENDALL CAMERA CLUB BLOG FEED

When was the last time you had a printed photo in your hands? A portable printer makes it easy to turn your photos into tangible keepsakes and artworks.  [Read More] Original linkOriginal author: Joy Celine Asto

When was the last time you had a printed photo in your hands? A portable printer makes it easy to turn your photos into tangible keepsakes and artworks.  [Read More] Original link(Originally posted by Joy Celine Asto)

A fast 50mm prime can cost $100 or $3,000, and both will take a photo. The real question is what that price gap actually gives you when you’re shooting in the real world.  [Read More] Original linkOriginal author: Alex Cooke

A fast 50mm prime can cost $100 or $3,000, and both will take a photo. The real question is what that price gap actually gives you when you’re shooting in the real world.  [Read More] Original link(Originally posted by Alex Cooke)

Sigma has announced the development of the Sigma 85mm f/1.2 DG | Art, a large-aperture medium-telephoto prime lens designed for full frame mirrorless cameras.   This is not a full product launch, so detailed specifications are limited. However, what Sigma has shared so far paints a clear picture of where this lens fits in the lineup and what it's aiming to deliver. [Read More] Original linkOriginal author: Alex Cooke

You keep hearing that you need a sharper, faster, more expensive lens. This video argues most modern lenses are already beyond what you actually need, and chasing specs can quietly make your photography worse, not better.  [Read More] Original link(Originally posted by Alex Cooke)

Adobe now runs on subscriptions, and that monthly bill adds up fast. If you rely on Photoshop and Premiere Pro to get paid work done, the idea of switching feels risky, but staying put can feel just as uncomfortable.  [Read More] Original link(Originally posted by Alex Cooke)

Allow me, for a moment, to try and entertain you with the story of one of the most boring days of my life.  [Read More] Original link(Originally posted by Christopher Malcolm)

Over the years, seascape photography has become the area of my work where shutter speed decisions matter most. Waves never repeat themselves, and small changes in exposure time can completely alter how water behaves in an image. A fraction of a second can preserve structure and texture, while a longer exposure can simplify the scene and emphasize static elements. Learning how shutter speed affects water is one of the most important technical skills in coastal photography.  [Read More] Original linkOriginal author: Darren J. Spoonley

On February 1, 1968, Associated Press photographer Eddie Adams was on the streets of Saigon in South Vietnam with his camera to capture the moments during the Tet Offensive during the Vietnam War. It was here when he captured a moment that would end up becoming one of the most influential photos in modern history.   This is a photograph many have seen but few know the whole story behind. It shows Nguyễn Ngọc Loan, South Vietnam National Police Chief, firing his gun into the head of a handcuffed prisoner named Nguyễn Văn Lém. A photo that would tell only a half truth. [Read More] Original link(Originally posted by Michael Rudzikewycz)

Death Valley National Park declared an above-average bloom year on February 22, and park officials are warming up to the word nobody wants to use prematurely: superbloom. The last time the park saw a display at this scale was 2016, a full decade ago. Unusually heavy rainfall in late 2025 (the Furnace Creek Visitor Center area recorded roughly 2.4 inches between November and early winter alone, far more than the park typically receives during those months) soaked deep into desert soils that had been waiting for exactly this kind of event. [Read More] Original link(Originally posted by Alex Cooke)

Adobe has added a new generative model to Photoshop called Firefly Fill and Expand, and it directly affects how you create, replace, and extend images. If you rely on generative fill for background swaps or composite work, these changes are worth a look.  [Read More] Original linkOriginal author: Alex Cooke

The Fujifilm GFX50S II can turn a familiar coastal village into something sharp, calm, and deliberate at blue hour. When light and artificial glow have to balance perfectly, small decisions with lens choice and composition carry real weight.  [Read More] Original linkOriginal author: Alex Cooke

This week on The Grid, it was time for an old-fashioned airing of photography grievances. Scott, Erik, and special guest John Dukes let it fly—venting about the industry quirks and creative frustrations photographers know all too well. They tackled everything from unsolicited critiques and requests for RAW files to getting paid in “exposure,” gear tribalism, instant “pro” branding, and the persistent myth that better cameras automatically make better photographers. It was equal parts therapy session and reality check—with plenty of laughs along the way (and yes, a few fast-food frustrations too). In between grievances, Scott shared a sneak peek at an unreleased Lightroom cloud feature: a powerful natural-language search tool that lets you find images using detailed phrases—whether you’re searching for...

Learning aperture, shutter speed, and ISO changes how you use your camera. Once you understand how these three settings shape light, motion, and focus, you stop guessing and start making deliberate choices.  [Read More] Original linkOriginal author: Alex Cooke

Canon's lens ecosystem is one of the most extensive in photography, spanning decades of innovation and multiple camera systems. For photographers entering the Canon world in 2026, understanding how all these lenses work together (or don't) can feel like deciphering ancient hieroglyphics. The good news is that once you understand the underlying logic, it all makes sense, and Canon's system offers tremendous flexibility for leveraging glass from multiple eras on modern bodies.  [Read More] Original linkOriginal author: Alex Cooke

You have a camera and solid skills, but turning that into steady side income feels unclear. The right approach can bring in real money without forcing you into a second full-time job.  [Read More] Original link(Originally posted by Alex Cooke)

Soft wings. Sharp background. One usable frame out of a 30-shot burst. Bird in flight photography exposes every weak link in your setup, and small changes can double or triple your keeper rate.  [Read More] Original link(Originally posted by Alex Cooke)

At the end of 2024, I committed to a simple project for 2025: one photo per week, taken at midday, every week of the year. What sounded straightforward quickly became harder than I anticipated, and by the end of the year, it had changed how I think about consistency, pressure, and personal work.  [Read More] Original link(Originally posted by Adam Matthews)

I've been struggling with how to describe my experience with the newly released 7Artisans 75mm f/1.25 II lens. Really, I've had two different experiences, both wildly in friction with one another.   On the one hand, the lens produced sharp images in a variety of settings and assignments with a pleasant bokeh and good color rendition. On the other hand, it took enough time to calibrate the lens that I feel the need to mention it here. Still, if the final product is good enough, sometimes the juice is worth the squeeze. More on all that later. [Read More] Original linkOriginal author: CS Muncy