KENDALL CAMERA CLUB BLOG FEED

Panasonic's new Lumix S 20mm f/2.5 is a tiny full frame prime for L-mount bodies, and it shares its focal length with the kit zoom that ships with a lot of Lumix cameras. That overlap, plus a $498 price, puts real pressure on what a dedicated 20mm prime has to deliver.   [Read More] Original link(Originally posted by Alex Cooke)

Polished golf clubs reflect everything around them, so a light that flatters one club can leave the one beside it flat and glaring. Shiny, curved metal is one of the hardest subjects to light, and the decisions that solve it carry over to watches, jewelry, cutlery, and anything else with a chrome finish.   [Read More] Original link(Originally posted by Alex Cooke)

Photoshop, Capture One, and Evoto can now all remove blemishes with a slider, so the first pass of portrait skin cleanup no longer has to happen one spot at a time. Which one you trust on a client's face comes down to how each app decides what counts as a blemish and how much real skin it leaves alone.   [Read More] Original link(Originally posted by Alex Cooke)

Sunset photos often come out of the camera with crushed shadows and a sky that looks cooler than the moment felt. Lightroom can fix both, and how you lift the dark areas decides whether the scene ends up soft and glowing or just muddy.   [Read More] Original link(Originally posted by Alex Cooke)

In 1982, Kodak sold roughly 8 million disc cameras in a single year, and its president told shareholders the disc system would be "the new engine that will drive this industry forward." Inside those flat little bodies sat a genuine engineering triumph, including the first mass-produced molded glass aspheric lens element the camera industry had ever seen. It still became one of the quietest disasters in the company's history, and the small negative everyone blames was only part of the reason.   [Read More] Original link(Originally posted by Alex Cooke)

A $2,500 wedding photographer and a $25,000 one are separated by a tenfold price gap, and most people assume that tracks a tenfold gap in talent. If you want to raise your rates at any level, from $500 to $2,000 or well beyond, knowing what that gap is actually made of tells you where to spend your effort.   [Read More] Original link(Originally posted by Alex Cooke)

We have all driven past the same location a hundred times during the day and never once pulled over to reach for the camera: the gas station, the empty parking lots, a small business on Main Street. Travel through there at night, and these locations stop us in our tracks. Daylight documents a place; night light transforms it. Same place, different photograph. [Read More] Original link(Originally posted by Justin Tedford)

Every portrait carries evidence of how it was lit, from the edge of the shadow under the chin to the bright spot on the tip of the nose, and once you can read that evidence, you can tell a beauty dish from a softbox without ever seeing the set. That skill turns any image you admire into a lighting diagram you can rebuild in your own studio, garage, or spare room.   [Read More] Original link(Originally posted by Alex Cooke)

Every photosite on your camera's sensor is colorblind. A 61-megapixel full frame sensor is a grid of roughly 61 million tiny light meters, and each one reports a single number: how much light it collected during the exposure. It records the brightness and nothing about the color. Left alone, your sensor would only ever hand you a grayscale image.   [Read More] Original link(Originally posted by Alex Cooke)

Laowa's two new Aksen Ultra Macro APO lenses cover everything from life size to 10 times life size. At that scale, depth of field shrinks to a sliver, light drops off as you zoom, and the gear around the lens decides as much about the result as the glass does.   [Read More] Original link(Originally posted by Alex Cooke)

If you shoot APS-C and want a bright telephoto zoom, your options have been thin, and on most mounts they haven't existed at all. Sigma's new 50-120mm f/2.8 arrives for Fujifilm X, Sony E, and Canon RF at a size and price that make it a realistic addition to a small kit.   [Read More] Original link(Originally posted by Alex Cooke)

You write a prompt. Adobe edits your photo accordingly. The AI Assisted Editor, released August 31, 2026, as part of Photoshop 27.10, lets you edit images simply by describing what you want in plain English. Just type what you want, and the AI figures it out. You'll find out what happened when I let it loose on my Milky Way photos.   [Read More] Original link(Originally posted by Ken Lee)

Golden hour and blue hour can make almost any street corner look like a finished photograph, and that polish can hide whether anything is actually happening in the frame. If most of your keepers come from warm evening light or city glow after sunset, the gray months ahead are a good test of what you can find without that help.   [Read More] Original link(Originally posted by Alex Cooke)

Reflections in shop windows and glass doors are among the most common things you'll try to clean up in post, and Adobe's latest Lightroom update promises to make its one-click fix more reliable. When that tool still misses, a newer generative feature in Lightroom can take over, as long as you control what it changes.   [Read More] Original link(Originally posted by Alex Cooke)

Tamron has announced a Nikon Z mount version of its 20-40mm f/2.8 Di III VXD, a compact fast-aperture standard zoom for full frame mirrorless cameras that weighs 13.4 oz (380 g) and goes on sale October 22 for $729.   [Read More] Original link(Originally posted by Alex Cooke)

Sony's RX1R III puts a 61-megapixel full frame sensor and a fixed 35mm f/2 lens into a body small enough to carry everywhere, and it costs more than most professional mirrorless cameras. A few weeks of testing can tell you how a camera like that performs, but only a year of weddings, family trips, and every season of Pacific Northwest weather shows what it's like to live with.   [Read More] Original link(Originally posted by Alex Cooke)

An f/2.8 telephoto zoom is usually the heaviest lens in an APS-C bag, and the Sigma 50-120mm f/2.8 DC OS Contemporary is built to change that. If you shoot Fujifilm, Sony, or Canon crop bodies, a stabilized fast zoom at this size fills a spot that has mostly gone to much bigger glass.   [Read More] Original link(Originally posted by Alex Cooke)

One company photographs roughly 30 million children a year. Not over a decade. In a single school year. A kid sits on a stool, a stranger says "chin down, eyes up here," a strobe fires, and the whole thing is over in the time it takes to sneeze. Multiply that by tens of millions and you have the largest sustained portrait operation the world has ever run.  [Read More] Original link(Originally posted by Alex Cooke)

Burst shooting costs nothing per frame, so after a big day in a new place, it's easy to come home with thousands of files and an evening of culling ahead. That math feels free until you notice how much of your attention went into pressing the shutter and how little went into looking at the place you traveled to see.   [Read More] Original link(Originally posted by Alex Cooke)

I love exploring photography in all its forms, and that extends to novelty cameras. When I saw the Godox C100, which looks like it belongs in the 1990s, I had to try it as a new way of making images. It has no rear screen, so you can't perfect your composition, and you can't check a shot after you take it either.   [Read More] Original link(Originally posted by Kim Simpson)