KENDALL CAMERA CLUB BLOG FEED

If you had a camera that only shoots in black and white, would you be satisfied with it? Let’s talk about what such a camera can actually bring to the table.   We all know that, from the invention of the process of photography until some decades ago, black and white was the only choice until further innovations made color film possible. That is why, for most people, seeing photographs in black and white, regardless of how they were made to be so, gives a feeling of nostalgia and sentimentality. [Read More] Original link(Originally posted by Nicco Valenzuela)

Most photographers plan every trip down to the parking spot, the light, and the exact viewpoint. There is another way to work, one that starts with knowing nothing about what you'll shoot when you leave the house.   [Read More] Original link(Originally posted by Alex Cooke)

A $700 smart telescope and a $4,000 traditional rig pointed at the same patch of sky on the same night in northern New Mexico, and the gap between them was smaller than the price tags suggest. If you've been weighing whether a point-and-shoot device can stand in for a full Milky Way setup, this is the comparison that answers it.   [Read More] Original link(Originally posted by Alex Cooke)

A landscape image either pulls the viewer into the scene or leaves them looking at a flat surface, and the difference usually comes down to how you handle depth. Master a few composition habits and your photos start to feel like a place someone could walk into rather than a picture on a screen.   [Read More] Original link(Originally posted by Alex Cooke)

A highway fire less than an hour outside Los Angeles is the kind of thing that stops most trips before they start. Here it became the first frame of a 3,000-mile drive across the country, and the moment sets the tone for everything that follows.   [Read More] Original link(Originally posted by Alex Cooke)

Dyson has built a toothbrush with a working camera inside the head, and it streams a live view of your mouth to a phone app. It went on sale September 1, 2026, at $499.   [Read More] Original link(Originally posted by Alex Cooke)

GoPro has agreed to merge with a privately held optics company called Starman Optical in a deal worth $285 million. The company will stay listed on the Nasdaq, keep selling cameras, and push into AI data center hardware and defense.   [Read More] Original link(Originally posted by Alex Cooke)

Check the active imaging area specified for the sensor inside a Sony RX100 and you get 13.2 x 8.8 mm, with a diagonal of about 15.86 mm. That is close to 16 mm, not the 25.4 mm that an inch is supposed to be. The "1 inch" printed on the spec sheet does not describe any dimension of the imaging area, and the reason runs all the way back to a glass vacuum tube that stopped being manufactured decades ago.   [Read More] Original link(Originally posted by Alex Cooke)

DxO is making PhotoLab 10 available today, with some solid new features and improvements to the existing ones. PhotoLab has become increasingly popular among raw editors because of its power and the inclusion of the DxO technology that adjusts for specific lens and camera combinations. These corrections are applied automatically upon opening a file if you use the default DxO Style – Natural preset, providing a sharp, geometrically accurate starting point before manual editing.   [Read More] Original link(Originally posted by Mel Martin)

Washington Irving’s classic story of the Headless Horseman saw Sleepy Hollow, New York, as its setting. The village was officially known as North Tarrytown until it adopted the name Sleepy Hollow in 1996. Nearby Tarrytown, a historic village on the eastern bank of the Hudson River, was where photographer John Free was born. Life would take him to Old Saybrook, Connecticut, and then to Los Angeles, where he would establish himself as a photographer. It was during his time in LA that his philosophy on photography would emerge. [Read More] Original link(Originally posted by Michael Rudzikewycz)

I find people fascinating, and when I see someone interesting when I’m out and about, I often want to photograph them. And I do. Many photographers have commented about this and would love to do the same but don’t feel comfortable or confident doing so.   [Read More] Original link(Originally posted by Simon Burn)

Most of the strongest documentary and street photographs come from moments the photographer almost missed. The difference between catching them and losing them often comes down to whether you were paying attention at all.   [Read More] Original link(Originally posted by Alex Cooke)

If Lightroom Classic has ever felt more complicated than it needs to be, sometimes the problem isn’t Lightroom. It’s how everything was set up in the first place. In this new class, Rob Sylvan goes back to the fundamentals and shows you how to build a Lightroom Classic workflow that will serve you well for years. You’ll learn how the catalog really works, how to create a reliable backup strategy, and how to make smart decisions about importing, previews, folders, and presets. Rob also tackles one of those problems nobody wants to see: missing photos. Whether you’re just getting started with Lightroom Classic or you’ve been using it for years and aren’t entirely sure your setup is as solid as it...

The empty calendar is the part of a photography career nobody warns you about. Shooting is only a fraction of the work, and how you spend the hours away from the camera often decides whether the next job ever shows up.   [Read More] Original link(Originally posted by Alex Cooke)

Sony sells a 100mm portrait lens with an f/2.8 aperture that meters like an f/5.6. That is not a manufacturing defect or a marketing rounding error. Sony built a disc of gray-graded glass into the middle of the lens, on purpose, and gave away roughly two stops of light to buy what might be the smoothest out-of-focus blur any lens can produce. The trick works, it has worked since the 1990s, and the lenses built around it have never been more than a niche.   [Read More] Original link(Originally posted by Alex Cooke)

"Shoot more" is one of the most common pieces of advice a photographer receives. We usually read "more" as more places, more subjects, more opportunities. Repetition may teach considerably more than novelty does.   Shooting more gives you experience. You become faster with the camera and less likely to miss an obvious frame, but broad experience is not the same as measurable improvement. The problem with "shoot more" is not the word "more." It is what we keep changing while doing it. [Read More] Original link(Originally posted by Alvin Greis)

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2026, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.  [Read More] Original link(Originally posted by Alex Cooke)

You look at a photo and decide almost instantly whether it works, long before you've weighed composition or settings. That fast reaction turns out to be a useful tool, and learning to name it can sharpen how you choose which shots to keep and which to walk away from.   [Read More] Original link(Originally posted by Alex Cooke)

Photography works like language, built from patterns you learn to read until recognizing them becomes automatic. Once you understand that shooting is pattern recognition, the way you approach every scene shifts, whether you're standing in Tokyo or on a quiet street in your own city.   [Read More] Original link(Originally posted by Alex Cooke)

Ten years of shooting weddings on Fujifilm, and the internet still insists it can't be done well without full frame. That advice is wrong, and the right set of X-series primes proves it on every wedding day.   [Read More] Original link(Originally posted by Alex Cooke)