KENDALL CAMERA CLUB BLOG FEED

There's a quiet rebellion happening in photography right now. After a decade of manufacturers racing to produce the sharpest, most clinically corrected glass ever made, a growing number of photographers are deliberately reaching for something else. They want glow. They want swirl. They want the kind of optical rendering that looks like it was pulled from a dream sequence in a 1970s art film. They want character.  [Read More] Original link(Originally posted by Alex Cooke)

Leaving a corporate healthcare salary to run a full-time photo and video business sounds bold until you look at the math. Matching an average U.S. salary took more than 200 clients and nearly 300,000 images in a single year.  [Read More] Original link(Originally posted by Alex Cooke)

Hi, Gang. I’ve got a Sneak Peek of an unreleased Lightroom feature that is going to be a real game-changer for anyone who (like me) hates keywording but wants to get to the images you want fast. This is next-level stuff, and it’s coming to a Lightroom near you. Check it out below. My thanks to Adobe for letting me share this sneak peek with you. Have a great day! -Scott The post New Lightroom Feature Sneak Peek appeared first on Lightroom Killer Tips. Original link(Originally posted by Scott Kelby)

Matt Day says 2025 was not his best year, and that should get your attention. When someone who built a career on steady creative output admits he felt stuck, it forces you to look at your own patterns.  [Read More] Original link(Originally posted by Alex Cooke)

Sigma has announced a new fast prime for APS-C shooters, the Sigma 15mm f/1.4 DC | Contemporary. The lens joins the company’s growing set of bright-aperture Contemporary primes and continues Sigma’s recent push toward compact, lightweight designs aimed at hybrid creators and will be offered for Sony E-mount, Fujifilm X Mount, and Canon RF Mount at a retail price of $579.  [Read More] Original link(Originally posted by Alex Cooke)

If there’s one thing I love about Photoshop, it’s this: no matter how long you’ve been using it, there’s always something hiding in there that makes you say, “How did I not know that?!” In this class, I’m sharing 10 of my all-time favorite Photoshop tips. These aren’t complicated, head-scratching techniques. They’re the smart, practical tricks, tweaks, and hidden gems that make your editing faster, smoother, and honestly… more fun. Some of these will speed up your workflow. Some will fix little annoyances you didn’t even realize had an easy solution. And a few are just plain cool—the kind of things you’ll try once and immediately add to your daily routine. If you’re ready for a handful of “why didn’t I...

When outlets can fill galleries with “credit-only” submissions, quality drops, prices crater, and working shooters quietly burn out. I’ve been part of the problem. Here’s why I’m done working for free—and how I’m building paid alternatives that serious shooters can copy without burning bridges.  [Read More] Original link(Originally posted by Steven Van Worth)

If you’re shooting fast-moving sports or wildlife, or you’re a videographer shooting long takes in a raw format and high resolution, the most essential piece of gear you need is a fast reliable memory card. Choosing one, however, can be a nightmare. So what do you do? I would guess you buy one from a reputable brand, right? That makes sense, but recently I discovered there’s a lot of marketing smoke-and-mirrors going on—and I thought you should know about it. [Read More] Original link(Originally posted by Simon Burn)

The photographs that survive from the nineteenth century carry a strange weight. Daguerreotypes of solemn faces, wet plate portraits of Civil War soldiers, albumen prints of Victorian families posed in their Sunday best. What we rarely consider when looking at these images is what their creation cost the people who made them. The early history of photography reads less like the story of an art form and more like a catalog of occupational disasters.   [Read More] Original link(Originally posted by Alex Cooke)

Adobe has introduced a powerful update to Photoshop 2026. The Generative Fill feature now supports reference images, allowing users to use a specific visual source to guide AI-generated edits. This allows photographers and retouchers to swap out or add objects, such as jewelry and accessories, to create new iterations of their images without reshooting. It can significantly reduce time spent on complex compositing and detailed Photoshop work that would have previously required manual editing. And this is only the beginning of what this new feature makes possible.  [Read More] Original link(Originally posted by Craig Boehman)

You keep hearing that a 50mm f/1.8 on full frame gives a look that smaller sensors cannot match. That might be true, but it misses the point when your goal is depth, not blur.  [Read More] Original link(Originally posted by Alex Cooke)

When PolarPro sent me their new Arctic circular polarizer, I was quite excited. This new polarizer has been designed specifically for winter photography in cold, harsh conditions.  As luck would have it, they sent the filter to the right person. I know a thing or two about shooting in harsh winter conditions, living in Canada. A typical winter often sees me out shooting in minus 26 degrees Celsius. I’ve been on photographic assignments to the Arctic and shot in as low as minus 62 degrees Celsius on occasion. Cold is my photographic collaborator. [Read More] Original link(Originally posted by Simon Burn)

Terry White shared a quick look at the latest Lightroom updates, and there’s a lot to like. The enhanced Assisted Culling feature (early access in Lightroom Classic and Desktop) now helps you quickly spot sharp images and check group shots to see if your subject’s eyes are all open. Terry also showed new Firefly Generative AI integrations, including generating video from a still and fixing group shots—like opening closed eyes—by sending images directly to Firefly. He wrapped up with the new Generative Upscale using Topaz Gigapixel and performance improvements for Mobile and Classic users. Check out the full breakdown below. Thanks, Terry and we’ll catch you all again soon. -Scott The post What’s New in the February 2026 Lightroom Updates? appeared...

A photography workflow is simply a repeatable way of working. It covers how you prepare, how you shoot, and how you deal with your images afterward. In landscape photography, where light, weather, and access are often limited, having a workflow removes uncertainty and prevents small mistakes from becoming lost opportunities.  It is not about being rigid or technical. It is about reducing friction so that your attention stays on the landscape rather than on what you forgot or what comes next. [Read More] Original link(Originally posted by Darren J. Spoonley)

Fujifilm occupies a unique position in the camera market. While Canon, Nikon, and Sony battle for full frame dominance, Fujifilm has charted its own course: a mature APS-C system beloved by enthusiasts and professionals alike, plus a medium format lineup that brings large sensor photography to a broader audience than ever before. For photographers entering Fujifilm's world in 2026, the lens ecosystem can seem deceptively simple at first glance, but there's more nuance hiding beneath the surface than you might expect. [Read More] Original link(Originally posted by Alex Cooke)

The Canon EOS R6 Mark III steps into a crowded full frame market with a 32-megapixel sensor and internal 7K open gate recording. If you shoot both stills and video, this body lands right where detail, file size, and real-world handling collide.  [Read More] Original link(Originally posted by Alex Cooke)

Soft contrast can change the mood of a landscape without making it look flat or faded. When you control it well, you keep detail in the highlights and shadows while giving the scene a gentle glow that feels natural.  [Read More] Original link(Originally posted by Alex Cooke)

Photography is usually described as a visual medium, but a lot of the work around it happens in sound. Learning, editing, and reviewing work all benefit from being able to control what you hear — or don't hear — while you're working. That's where a good pair of headphones becomes less of a convenience and more of a practical tool.  For photographers, cutting out the world with headphones makes a noticeable difference to how work gets done. Add noise-canceling properties to that mix and you are now working at a level of productivity that is hard to beat. [Read More] Original link(Originally posted by Kim Simpson)

The Canon EF 70-200mm f/2.8L IS III USM sits at the end of Canon’s DSLR era, and it still tempts anyone who wants reach, speed, and flexibility in one lens. If you use a Canon body, especially mirrorless, the question is simple: should you adapt this classic and save money, or move to RF and carry less weight?  [Read More] Original link(Originally posted by Alex Cooke)

Photography changes more than your images. It shifts how you move through the day, how you solve problems, and how you handle setbacks.  [Read More] Original link(Originally posted by Alex Cooke)