If you’ve ever wanted to dive deep into the entire process of editing a photo—from raw files to final stylization—this video is a must-watch. It’s a thorough tutorial that walks you through every step, and trust me, it’s packed with insights. [ Read More ]Original link(Originally posted by Neil Arthurs)

Sony has announced the 400-800mm f/6.3-8 G OSS, its longest full frame E-mount lens to date. Designed for birding, wildlife, and sports photography, the lens extends Sony’s mirrorless telephoto capabilities beyond the previous 600mm limit, reaching up to 800mm. It is also compatible with Sony’s 1.4x and 2x teleconverters, pushing its range up to 1,600mm. [ Read More ]Original link(Originally posted by Alex Cooke)

I have to say that on many days, I find myself using a DxO product—most frequently, their PureRAW software, which looks at my image metadata in my RAW files and gives me a near-perfect image, correcting my sensor/lens combination, sharpening, and removing imperfections like vignettes and ringing. DxO has more than 100,000 camera/lens combinations covering almost any gear. Even both my DJI drones are covered by DxO. [ Read More ]Original link(Originally posted by Mel Martin)

There are three pieces of really bad “pro advice” that have cropped up more than once on YouTube channels. We need to talk about this to help you avoid wasting time and losing money unnecessarily if you’re thinking about making a living from your camera. [ Read More ]Original link(Originally posted by Simon Burn)

Sony unveiled an incredible new 400-800mm super telephoto zoom lens today designed to help photographers get sharp close-ups of wildlife. As part of the announcement of the Sony FE 400-800mm f/6.3-8 G OSS lens, the company shared some images captured with this long-zooming lens and we’ve included five sample shots with this story. Calling it “the longest-range full-frame E-Mount lens to date,” the new Sony 400-800mm lens is designed for bird and wildlife photography and “extends Sony’s focal length range beyond 600mm for the first time.”  “With its 400-800mm zoom range, internal zoom mechanism for stability, and high-performance autofocus system, the 400-800mm F6.3-8 G OSS ensures sharp, detailed images even at extreme distances,” Sony said. If you want even more optical reach, the new...

Switching from Lightroom to another digital asset management and development tool can be daunting for photographers. There are very good reasons to, and DxO PhotoLab 8 is one of the most compelling options. Here’s why and how a Sony Ambassador made the switch. [ Read More ]Original link(Originally posted by Ivor Rackham)

AI is rapidly changing the photography industry, from editing tools to commercial applications. While it can speed up workflows and automate tasks, it also raises concerns about creativity, authenticity, and job security. The balance between efficiency and artistic control is something every photographer has to navigate. [ Read More ]Original link(Originally posted by Alex Cooke)

Macro photography opens up a world of detail that often goes unnoticed. Small subjects like fungi, moss, and intricate textures can turn into striking images when framed properly. But working at this level presents its own set of challenges, from finding the right focal length to dealing with distortion in certain lenses. [ Read More ]Original link(Originally posted by Alex Cooke)

Some natural environments are filled with interesting and unique compositions for landscape photographers. It can be like being a kid on a playground. How do you make sense of it all and distill the scenes down to images for your portfolio? [ Read More ]Original link(Originally posted by Jeffrey Tadlock)

As you may guess, I am not a fan of rules, and the question I often ask is, "Who made the rules, and why do they think they can tell me what to think?" In fact, I may get a T-shirt made that says in large letters, "Screw the rules and screw the horse they came on!" So there, I've said it. And if that sets your teeth on edge... just read on! [ Read More ]Original link(Originally posted by Nathan McCreery)

Zeiss has introduced the Otus ML series, a new line of manual focus prime lenses designed for professional photographers and high-end visual creators. The Otus ML family brings Zeiss’s signature optical quality to mirrorless mounts, launching with the 50mm f/1.4 and 85mm f/1.4 lenses in 2025. [ Read More ]Original link(Originally posted by Alex Cooke)

Adobe has announced the launch of Photoshop on iPhone, bringing its well-known image editing tools to mobile users. The app is designed to provide a streamlined, mobile-first experience while retaining essential Photoshop features such as layering, masking, and Adobe Firefly-powered AI tools. An Android version is expected later in 2025. [ Read More ]Original link(Originally posted by Alex Cooke)

Strong landscape photography isn’t just about finding a beautiful location—it’s about how you compose, frame, and time your shots to create something extraordinary. Weather and light can be unpredictable, but knowing how to work with what you have can make all the difference. [ Read More ]Original link(Originally posted by Alex Cooke)

Adding atmospheric elements like fog can transform a flat image into something more dramatic and immersive. Lightroom Classic now offers better tools to create and control fog, allowing you to shape the mood of an image without needing perfect weather conditions. [ Read More ]Original link(Originally posted by Alex Cooke)

Is the new Nikon Nikkor Z 180-600mm f/5.6-6.3 VR the best budget zoom lens for wildlife photography? That’s the question our colleague David Schloss at Imaging Resource, Outdoor Photographer’s sister site, sets out to answer in the insightful video review of the Nikon 180-600mm lens embedded below. “Our Nikon 180-600mm quick-look video dives into its real-world testing and creative workflow, showcasing why this super-telephoto zoom is a game-changer for wildlife and sports photography,” Schloss explains. “With an impressive 180-600mm focal range, built-in image stabilization, and lightweight design, it’s built to handle everything from bird photography to fast-action sports.” In the review from Imaging Resource’s YouTube channel at the bottom of this post, Schloss evaluates these main points about the Nikon 180-600mm:...

A new compact color and light meter from Datacolor offers a better way to set your exposure. [ Read More ]Original link(Originally posted by Christopher Malcolm)

Giving away a book for free might seem like a strange decision. After all, writing a book takes months of work—planning, researching, writing, editing, and refining. Then there’s the effort that goes into designing the layout, selecting images, and making sure the final product is something worth reading. So why give it away when I could sell it? [ Read More ]Original link(Originally posted by Darren J. Spoonley)

Sales of compact cameras were demolished by smartphones but we might be witnessing something of a renaissance. Is this another short-lived fad, or is 2025 the year that Canon, Nikon, and Sony embrace the point-and-shoot? [ Read More ]Original link(Originally posted by Andy Day)

Simplicity in photography can be both freeing and frustrating. When you strip away complex tools and techniques, all that’s left is light, time, and a bit of luck. Shooting with a pinhole camera pushes that idea to the extreme. No lens, no moving parts—just a box with a hole, a piece of film, and a whole lot of patience. [ Read More ]Original link(Originally posted by Alex Cooke)

Sky selection is often one of the most important steps in editing landscape and outdoor images. Whether you’re adjusting exposure, enhancing colors, or replacing the sky entirely, getting a clean selection makes all the difference. Automated tools help, but they don’t always get it right, so knowing how to refine a mask is essential. Coming to you from Matt Kloskowski, this practical video breaks down the strengths and weaknesses of different sky selection methods in Adobe’s raw editors. The Select Sky tool is the first stop in... [ Read More ]Original link(Originally posted by Alex Cooke)