KENDALL CAMERA CLUB BLOG FEED

The tone curve in Lightroom is one of the most powerful editing tools available, and most people barely scratch the surface of what it can do. Knowing how to use it well separates flat, lifeless edits from images with real depth, color, and punch.  [Read More] Original link(Originally posted by Alex Cooke)

B&H Photo is running some aggressive discounts across cameras, lighting, support, storage, and accessories this week. We dug through hundreds of active DealZone listings, sale prices, and lowest-in-180-day markdowns to find 30 that are worth your attention, sorted by a combination of percentage off and absolute dollar savings. These deals are time-limited, most running through the next seven days, so act quickly on anything that catches your eye. [Read More] Original link(Originally posted by Alex Cooke)

The post 3 Legged Thing Launches AirHed Cine CC Fluid Video Head for Modern Creators appeared first on Digital Photography School. It was authored by Sime. Refined and capable, the next evolution of the AirHed Cine arrives with a redesigned panning arm, upgraded quick-release plate, and rotatable clamp for vertical video. Following on from the popularity of the original AirHed Cine, 3 Legged Thing has launched the AirHed Cine CC. This robust, compact fluid video head is packed with features for content creators, as well as wildlife and birding enthusiasts. The AirHed Cine CC is a compact fluid video head with 360? panning and 165? of total tilt (90° forward / 75° back). Each axis has smooth cinematic movement, and separate...

The Lumix S1 II sits at $3,200 list price, currently discounted to around $2,900, and it's trying to compete with video-focused cameras from Canon, Sony, and Nikon on both features and value. Whether it actually pulls that off depends heavily on a few specific trade-offs that aren't obvious from the spec sheet.  [Read More] Original link(Originally posted by Alex Cooke)

Want to reclaim your desk space and maybe even reduce the pain in your neck by optimizing your viewing angle? Consider a monitor arm. Here, we take a look at the HUANUO FlowLift™ Single Monitor Mount (formerly SS6, but still model HNSS6). I also discuss the HUANUO Universal VESA Mount Adapter Kit (Model HNMUA4), which was needed for my particular monitor. How well did they work? How easy were they to install?  [Read More] Original link(Originally posted by Ken Lee)

Choosing a camera system means committing to an ecosystem, and for most systems, that means locking yourself into one manufacturer's lenses. Micro Four Thirds breaks that rule in a way that has real, practical consequences for what you can carry and shoot.  [Read More] Original link(Originally posted by Alex Cooke)

Minimalist photography is harder than it looks. When the summit of Pikes Peak closes due to a storm and your backup plan becomes a flat, windswept stretch of Colorado grassland, the only things separating a great shot from a boring one are patience, the right glass, and knowing how to work with almost nothing.  [Read More] Original link(Originally posted by Alex Cooke)

Canon and Sony each make a flagship 35mm lens, and on paper they're remarkably close in size, weight, price, and optical spec. But close on paper doesn't always mean close in practice, and the differences that do exist could matter depending on how you shoot.  [Read More] Original link(Originally posted by Alex Cooke)

The Sony RX1R Mark III launched to a lot of ridicule. At $5,100 with no IBIS, no tilt screen, and a battery that's been around since 2013, the internet had a field day, and honestly, the criticism wasn't wrong on the specs alone.  [Read More] Original link(Originally posted by Alex Cooke)

After three decades as a professional filmmaker and photographer, I have learned a lot of things. Most of them, I learned the hard way.  So, in today's article I'm going to give you five lessons I've learned over the course of a long career when it comes to what really matters, and what doesn't, when it comes to buying gear. [Read More] Original link(Originally posted by Christopher Malcolm)

Photography has a spending problem, and it starts early. The moment you get serious enough to move past the kit lens and the auto mode, the industry opens a firehose of recommendations pointed directly at your wallet. Better bodies, faster glass, studio lighting, editing software, bags, straps, filters, presets, printers, and accessories that promise to make your work look professional before you have figured out what "professional" means for you.  [Read More] Original link(Originally posted by Alex Cooke)

Photoshop 27.6 dropped with 14 new features, and some of them are genuinely useful while others expose real limitations in Adobe's AI tools. Knowing what works and what doesn't before you spend credits on generative fills can save you a lot of frustration.  [Read More] Original link(Originally posted by Alex Cooke)

Viltrox's 35mm f/1.2 Lab was already one of the sharpest, most capable lenses in its class when it launched. The new "N" version strips out the OLED screen and replaces the unconventional control ring with a traditional aperture ring, and that single change makes a lens that was optically exceptional finally handle the way it should.  [Read More] Original link(Originally posted by Alex Cooke)

Shooting portraits in natural light sounds simple until you realize how many ways it can go wrong. Knowing the five most common mistakes, and how to fix them, is the difference between images that look flat and ones that have real depth and drama.  [Read More] Original link(Originally posted by Alex Cooke)

Let's get this out of the way: this is not nostalgia.  I'm not trying to "bring back" anything, especially a smartphone. I'm not interested in retro aesthetics for the sake of it. And I'm definitely not here to argue that older technology is somehow superior. I use an iPhone 8 because it works for me, and a smartphone for me is just a smartphone — something I use to communicate. [Read More] Original link(Originally posted by Alex Coghe)

The 85mm prime is the rare lens that almost every working portrait photographer owns, eventually. It is the focal length that does the most flattering work on faces, the easiest one to recommend to a portrait beginner, and the lens most photographers reach for when they want to make a person look the way they want to be seen.  [Read More] Original link(Originally posted by Alex Cooke)

Welcome to the April Critique the Community!  For this contest/critique, we are doing another abstract theme that should allow more photographers to enter. For this month we want to see your most "dark" or "low key" photographs. If you have images that play off of darker tones or contain mostly black, unlit areas, we would love to see them! [Read More] Original link(Originally posted by Patrick Hall)

The Horizon 202 is a Soviet-era swing lens panoramic camera that produces a field of view roughly equivalent to 14mm on a 35mm camera, with almost none of the distortion you'd expect from an ultra wide angle lens at that focal length. If you've ever wanted to capture an entire mountain range in a single frame on film, this is the kind of camera that makes that possible.  [Read More] Original link(Originally posted by Alex Cooke)

The Fujifilm X-T30 III sits at $1,000 body only, positioning it as one of Fujifilm's most accessible entry points into the X-series system. For that price, you're getting a 26-megapixel APS-C camera with some video specs that don't match what you'd expect from a camera in this range.  [Read More] Original link(Originally posted by Alex Cooke)

You know that moment when you finish a composite and something just feels off? In his new class, Dennis Dunbar breaks down exactly why that happens—and more importantly, how to fix it. With 35 years of experience creating composites for Hollywood movie posters and major ad campaigns, Dennis has a deep understanding of what makes an image feel believable. In this class, he shares a simple five-part framework that covers layer structure, masking, lighting, color matching, and final finishing. It’s not about tricks or shortcuts. It’s about understanding how all the pieces work together so your composite holds up under a closer look. If you’ve ever struggled to make your composites look real, this class connects the dots in a way...