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The Perfect Focal Range for Documentary Work? We Review the Tamron 17-70mm f/2.8 Di III-A VC RXD for Fujifilm X Mount
The discussion of what kind of glass is better for documentary photography has been around since the beginning of the genre itself over a century ago. Some swear by using primes only, while many prefer the versatility of a zoom. What are the benefits? What are the downsides? Let’s look at both!
[ Read More ](Originally posted by Ondřej Vachek)
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