The camera industry has been pushing full frame sensors so hard that many photographers think anything smaller is automatically inferior. Here are five remarkable APS-C cameras that deliver professional results while offering advantages that even the best full frame cameras can't match. [ Read More ]Original link(Originally posted by Alex Cooke)

Canon's decision to release two different 70-200mm f/2.8 lenses for the RF mount has left many photographers scratching their heads about which one to buy. The choice becomes even more complex when you factor in the RF 100-500mm f/4.5-7.1L IS USM as an alternative for reaching longer focal lengths, especially since all three lenses occupy similar price points and target overlapping use cases. [ Read More ]Original link(Originally posted by Alex Cooke)

It’s hard to leave the camera at home. But when you travel with family or friends, photography isn’t always the point. So can it still find a place? [ Read More ]Original link(Originally posted by Adam Matthews)

Portable power solutions have become essential gear for photographers who work in remote locations or extended outdoor shoots. The EcoFlow TRAIL 300 DC represents a new approach to camping power banks, prioritizing weight savings and DC-only outputs over the bulkier AC-capable units that often weigh 40-50 pounds [ Read More ]Original link(Originally posted by Alex Cooke)

Macro photographers often face a frustrating choice between compact flash units that run out of steam during focus stacking sessions and powerful strobes that add unwanted bulk to their setup. The new Godox V480 flash aims to bridge this gap by offering improved stamina and modern features in a size that sits between the compact V350 and the powerhouse V860. [ Read More ]Original link(Originally posted by Alex Cooke)

The Canon EOS R1 mirrorless camera brings flagship-level video capabilities that wildlife and action shooters have been waiting for. You get features like pre-recording and CLog 2 that fundamentally change how you capture critical moments. Here's what you can expect. [ Read More ]Original link(Originally posted by Alex Cooke)

In an era where smartphone cameras can capture 4K video and AI can enhance photos beyond recognition, something unexpected is happening in photography studios and college campuses across America. Young photographers are deliberately choosing 35mm film cameras over cutting-edge digital equipment, creating a renaissance that has film manufacturers scrambling to meet demand and camera shops dusting off decades-old inventory. [ Read More ]Original link(Originally posted by Alex Cooke)

Medium format cameras represent the pinnacle of image quality for many photographers, but their price tags often put them out of reach for all but working professionals. The decision to invest $15,000 or more in a camera system requires serious consideration of whether the benefits justify the massive expense. [ Read More ]Original link(Originally posted by Alex Cooke)

With every new generation of camera producing larger files and higher bitrates, the demand for faster transfer speeds is relentless. Now, with Apple's M4 Pro and M4 Max chips ushering in the new Thunderbolt 5 standard, the goalposts have moved once again. Can the OWC Envoy Ultra deliver the next step-change in portable drive speeds? [ Read More ]Original link(Originally posted by Alex Coleman)

The Fujifilm X-E5 promises to deliver flagship-level performance in an incredibly compact body that resembles a miniature X100 series camera. When a camera packs 40.2 megapixels, 5-axis image stabilization, and interchangeable lenses into such a small package, it demands serious consideration from anyone seeking a versatile everyday shooter. [ Read More ]Original link(Originally posted by Alex Cooke)

The 55mm f/1.8 lens sits in a sweet spot for photographers who want the versatility of a standard focal length without the bulk and cost of faster f/1.4 options. Budget-conscious shooters have traditionally had to choose between cheap but mediocre optics or expensive premium glass, leaving a gap in the market for affordable lenses that deliver genuinely good performance. However, this lens bucks that trend. [ Read More ]Original link(Originally posted by Alex Cooke)

The DJI Osmo Pocket 3 has quietly become the go-to device for content creators who need professional-quality footage without the bulk of traditional cameras. Understanding why this tiny powerhouse has gained such traction among professionals could reshape how you approach portable video creation. [ Read More ]Original link(Originally posted by Alex Cooke)

As a landscape photographer, I find joy in exploration, seeking out compositions that have yet to be captured and waiting for the perfect light to illuminate them. Often, it leads to frustration when the weather turns bad and forces me to retreat to the car for shelter. However, learning to embrace the elements of nature and using them to your advantage to tell a story will ultimately yield a greater payoff. [ Read More ]Original link(Originally posted by Fred van Leeuwen)

A few months ago, Sony released the long-awaited Sony FE 85mm f/1.4 GM II lens. It's fantastic, but it’s almost $2,000. This month, Viltrox released their own version, with identical specs for just $600, which is the same price as... [ Read More ]Original link(Originally posted by Lee Morris)

The Samyang AF 85mm f/1.4 promises portrait performance at a fraction of the cost of premium alternatives, but can a $500 lens really compete with Canon's $3,000 RF 85mm f/1.2? The helpful video puts both lenses through rigorous testing to determine if the massive price difference translates to meaningful performance gaps. [ Read More ]Original link(Originally posted by Alex Cooke)

When you thought that $10,000 lens was expensive, wait until you see these camera systems that literally cost more than a Harvard education. These aren't your typical Instagram-worthy photography gear—they're the kind of setups that make your bank account weep and your spouse file for divorce. [ Read More ]Original link(Originally posted by Alex Cooke)

Canon's RF 100-300mm f/2.8 L IS USM lens promises to revolutionize telephoto photography with its unprecedented zoom range at a constant f/2.8 aperture. You're looking at a lens that could potentially replace multiple prime lenses in your kit, but the $9,500 price tag demands serious consideration. [ Read More ]Original link(Originally posted by Alex Cooke)

Canon's budget-friendly RF 16mm f/2.8 STM lens has sparked debates about whether you really need to spend over $2,000 on professional glass. The question becomes even more pressing when you consider that this $300 lens promises to deliver much of what photographers need for wide angle work. [ Read More ]Original link(Originally posted by Alex Cooke)

The Hasselblad 907X & CFV 100C represents something nearly extinct in modern photography: a camera designed primarily for waist-level shooting. This approach to image-making defined an entire era of street and documentary photography, yet virtually no manufacturers make cameras optimized for this shooting style today. [ Read More ]Original link(Originally posted by Alex Cooke)

Tamron has announced the upcoming release of its 18-300mm f/3.5-6.3 Di III-A VC VXD (Model B061) lens for Canon RF and Nikon Z APS-C mirrorless camera systems. The suggested retail price is $629. [ Read More ]Original link(Originally posted by Alex Cooke)