Usually, companies create lenses they would very much like to sell you, particularly if they only make lenses. However, TTArtisan's special edition 35mm f/1.4 isn't for sale, which works perfectly on me, as now I want it more than I ever would have. [ Read More ]Original link(Originally posted by Robert K Baggs)

This pocket-sized camera has gotten a big upgrade. Will it live up to its promise? [ Read More ]Original link(Originally posted by Stephen Kampff)

The enchanting allure of golden hues, vibrant skies, and serene landscapes make both sunrise and sunset photography captivating endeavours. While sunrise photography has its undeniable charm, there are distinct qualities that make sunset photography equally mesmerising, if not more. [ Read More ]Original link(Originally posted by Darren Spoonley)

Have you ever wondered what the Fujifilm Pixel Shift Multi-Shot mode does and how it works? Whether you have or not, it's worth learning about this technology and just how powerful it can be. [ Read More ]Original link(Originally posted by Robert K Baggs)

Two of the most popular focal lengths for portraiture are 85mm and 135mm. If you want to upgrade your nifty-fifty for something a bit longer, which should you choose? Well, it depends on a number of factors. [ Read More ]Original link(Originally posted by Robert K Baggs)

This is one of those little things that actually is way more powerful than it first seems (or sounds), but it actually has the power to change your workshop from this day forward. The button itself doesn’t have a very ‘sexy’ name, but what it does makes it a workflow superhero. It’s the ‘Previous’ button. Here’s how it works: STEP ONE: Here’s our original image. Kind of washed out and “meh” looking. STEP TWO: So we tweak the settings in the Develop Module to make it less “meh.” Lots of contrast, some Dehaze to cut the haze, some Texture to bring out detail, a graduated filter to darken the sky — the standard stuff. STEP THREE: Here comes the fun part. Now...

Reviewing good light modifiers is one of my favorite types of reviews to write. As I highly value light, I aim to cover light-shaping tools more than anything else. When this softbox was released, my thoughts were split in half. On one hand, I see how it is useful, but on the other, it is simply not for the majority. Read on to find out why. [ Read More ]Original link(Originally posted by Illya Ovchar)

I'm a landscape photographer who knows that to take great photos you must put in the work. And even then, you might still go home empty-handed a lot of the time. As this video by Gareth Leonard shows, wildlife photographers might have an even more difficult job. [ Read More ]Original link(Originally posted by Michael Breitung)

Being good with a camera and having great creative ideas is, of course, crucial to finding success as a professional, but it is not enough. Knowing how to attract clients and convince them to book with you is a crucial skill. If that is something you have trouble with, check out this fantastic video tutorial that offers three actionable tips for increasing your bookings. [ Read More ]Original link(Originally posted by Alex Cooke)

Shooting portraits outside of the studio can be a great way to add context to an image, tell a story, or simply generate a bit more visual interest. Bringing along a flash for fill can often help you create a higher-quality image with a more balanced exposure. This great video tutorial will show you how to use a fill flash on location for better portraits. [ Read More ]Original link(Originally posted by Alex Cooke)

The post 5 Reasons Why a Photo Book Is Right for You appeared first on Digital Photography School. It was authored by Jaymes Dempsey. These days, we spend so much time viewing our photos on screens that we’re liable to forget how powerful the printed image can be. And indeed, printing a photo – or two dozen, or a hundred – is a wonderful experience for nearly every photographer who tries it; it comes with all sorts of benefits, including a newfound appreciation for the photographic medium, not to mention a deep and lasting sense of satisfaction. But when photographers do get around to printing, they tend to gravitate toward wall art and small paper prints, overlooking one of the most...

For some people, the thought of spending over $5,000 on a 35mm lens, let alone one without autofocus, is an absolutely absurd proposition. On the other hand, Leica users often swear by the company's optics. Costing over $5,000, the Leica Summilux-M 35mm f/1.4 ASPH. promises amazing optical performance. Can it live up to that promise? This excellent first look video takes a look at what you can expect. [ Read More ]Original link(Originally posted by Alex Cooke)

The post JPEG vs HEIC: Which File Format Is Right for You? appeared first on Digital Photography School. It was authored by Simon Ringsmuth. For decades, one of the biggest debates in digital photography was RAW vs JPEG – but in recent years, much of the conversation has shifted to JPEG vs HEIC. While understanding these two image formats isn’t as essential as mastering the basics like aperture, shutter, and ISO, it’s important to know how your photos are being stored and shared so you can get the most out of them. Both JPEG and HEIC are great options and each one has its benefits and drawbacks. At the end of the day, what really matters is choosing an option that...

Post-production of your photography can feel like a minefield when you first start; overwhelming, endlessly complicated, and confusing. In this video, Pat Kay goes over five common mistakes that can ruin your images. [ Read More ]Original link(Originally posted by Robert K Baggs)

I get a lot of commentary on using expensive photo equipment, most notably lighting. Fair enough, a $400 softbox is not for everyone, and most people find it ridiculous to use a modifier this expensive. However, there are good reasons to use such tools. Here is why. [ Read More ]Original link(Originally posted by Illya Ovchar)

The Fujifilm INSTAX line of instant film cameras has been a runaway hit for the company, tapping into the nostalgia of instant photography and introducing a new generation to the technology. The INSTAX Square SQ40 is the latest entry in the line, and this excellent video review takes a look at the sort of performance and image quality you can expect from this fun and affordable little camera. [ Read More ]Original link(Originally posted by Alex Cooke)

When talking about improvement in photography, we often hear a lot of nonsense answers, such as upgrading equipment, hiring more staff, trying to find a niche, and so on. This isn't bad advice, and I give it as well. The thing is, it is so generic and so common that it has lost its meaning. Here are some real tips on how to become a better photographer. [ Read More ]Original link(Originally posted by Illya Ovchar)

When was the last time you fulfilled a print order? When I think of print sales, I envision awkwardly contrived meetings where proofs have been held hostage and finally revealed as leverage, using the client's emotions to maximize profits. I know in-person sales is an effective strategy, and photographers bankroll this method frequently. However, for the majority of photographers who don't want to take that approach, providing an online client photo gallery and a few simple suggestions can help you maximize your profits without the pressure of in-person-sales tactics. [ Read More ]Original link(Originally posted by Michelle VanTine)

If you heard a modern digital camera could only reach as high as ISO 1600 or 3200, you might think it was a very limited device. Such is the case with film, though. That does not mean you can't shoot it a night, though; in fact, it can be quite rewarding, especially if you enjoy long exposures. This great video tutorial discusses shooting film at night (particularly long exposures) and how to go about it to come home with the best images possible. [ Read More ]Original link(Originally posted by Alex Cooke)

The April update to Lightroom Classic (LrC) brought about some new options for consideration in your workflow when sending photos to Photoshop. LrC has a long history of being well integrated into working with Photoshop for tasks that either cannot be done in LrC or not done well enough. In addition, Adobe currently has a public Beta version of Photoshop available to those with a subscription, which offers a glimpse of what features may come in future versions. So many folks, me included, find themselves with more than one version of Photoshop installed and want a way to choose which version of Photoshop is used by LrC. In this article we’ll explore how to take full advantage of these new features....