KENDALL CAMERA CLUB BLOG FEED

The Ultimate Miami Photography Club Since 1977
It is a story brought to life by a father and photographer with Fuji’s GFX100S II and the GF 500mm f/5.6. He started a series about a traveler through existence with a project that explores childlike wonder. [ Read More ]Original link(Originally posted by Justin Tedford)
A few months ago, I explored a new photography challenge and invested in an infrared filter for landscape photography. I could've bought an already converted used camera, but after looking at what was available on the used market and specialist conversion services, investing in a filter seemed to be at a more appealing price point and the best of both worlds. After several trials and tribulations, I became hooked on this newly discovered world of infrared photography. [ Read More ]Original link(Originally posted by Fred van Leeuwen)
Woodland photography can be uniquely challenging because natural forests are chaotic by nature. Trees may tilt in various directions, branches and leaves create visual clutter, and composing a balanced shot is tricky. For those aiming to create cleaner, more harmonious forest scenes, certain editing techniques can make a real difference. [ Read More ]Original link(Originally posted by Alex Cooke)
I see a growing number of new lenses hitting the market that rely on lens correction. These lenses have some benefits, but are lens manufacturers taking shortcuts with these lens designs? Will we be seeing more and more lenses with this reliance on lens correction in the near future? [ Read More ]Original link(Originally posted by Nando Harmsen)
Above: Matt Kloskowski, Yours Truly, and Glyn Dewis Morning, everybody. I just got back from San Francisco, attending Adobe’s Photography Community Summit. They brought together 24 photographers, content creators, and educators from around the world to connect directly with Adobe’s Lightroom team (I met photographers from Japan, Finland, the UK, Germany, Italy, Australia, and more, and it was really great to hang out with these two fine gents above). It was a really great opportunity to meet directly with the Lightroom team and share our thoughts, ideas, suggestions, and anything we thought might be valuable to help steer, nudge, or influence the future development of Lightroom (and yes, I carried the messages you all have let me know matter to you....
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Many photographers believe that upgrading their gear is essential for capturing great shots, but this notion may be more limiting than helpful. The obsession with the latest cameras and lenses often overshadows what actually makes an image successful. [ Read More ]Original link(Originally posted by Alex Cooke)
A well-placed light effect can turn an ordinary landscape photo into something vibrant and dynamic. By controlling light and shadows in Lightroom, you’ll achieve a realistic glow that brings out key elements, creating a sense of atmosphere that feels as true to life as being there. [ Read More ]Original link(Originally posted by Alex Cooke)
It seems hardly any time has passed since I reviewed the Spyder X2 Ultra. The SpyderPro has now superseded that, an update extending its predecessor's functionality and ease of use. [ Read More ]Original link(Originally posted by Ivor Rackham)
There’s no shortage of advice on what you should and shouldn’t do in photography, but not all advice will serve you well. Misguided myths can actually hold you back from capturing the photos you envision. [ Read More ]Original link(Originally posted by Alex Cooke)
A camera brand/system’s most affordable camera can often be underestimated, but it serves a bigger purpose to an entry-level user that can highly impact their growth in the craft. This second iteration of Sony’s ZV-E10 definitely brings more to the table than most realize. [ Read More ]Original link(Originally posted by Nicco Valenzuela)
Capturing the raw beauty of landscapes often means venturing off the beaten path and braving the elements. Understanding how to work in diverse and challenging environments, while also learning to find compositions within these unpredictable settings, is invaluable. [ Read More ]Original link(Originally posted by Alex Cooke)
The ASUS Zenbook 14 OLED aims to strike a balance between portability, power, and value, making it an option worth considering for creative work on the go. This laptop packs an Intel Core i9-13900H processor and a stunning OLED display, making it a versatile machine for tasks like photo editing, video work, and even some gaming. [ Read More ]Original link(Originally posted by Alex Cooke)
Using natural light effectively can make or break a shot, especially in outdoor portraiture where the light source and your subject’s position work together to create the image’s mood. Understanding how to position yourself and control lighting lets you create depth and definition without overwhelming your subject with artificial light. [ Read More ]Original link(Originally posted by Alex Cooke)
If you're looking at getting into filmmaking or just want to make your videos look cinematic, a lot may hinge on the lens choice, and that can be tricky to resolve. In this video, take a look at a range of lenses that could take your videos to the next level. [ Read More ]Original link(Originally posted by Rob Baggs)
This week, Fujifilm announced the development of a new camera designed with filmmakers in mind, the Fujifilm GFX Eterna. The camera builds on Fuji’s GFX line of medium format still cameras but will be focused on video capture and is aimed at independent filmmakers and documentarians. [ Read More ]Original link(Originally posted by Christopher Malcolm)
Often, photographers get caught up in capturing reality, aiming to recreate what they see as accurately as possible. However, a more impactful approach might be to embrace creative expression, using your camera as a tool to convey mood and atmosphere rather than just the physical details. This shift in perspective opens up a wealth of artistic possibilities, helping you produce work that resonates on an emotional level. [ Read More ]Original link(Originally posted by Alex Cooke)
Two years after its initial announcement for the Sony E-mount in September 2022, Tamron recently released the Tamron 50-400mm f/4.5-6.3 Di III VC VXD for the Nikon Z mount. With a range from 50mm to 400mm, this is a substantial range for one lens. But can it hold up? [ Read More ]Original link(Originally posted by Justin Tedford)
A recent catastrophe led me to acquire a Peak Design Travel Tripod. In reviewing this for you I thought I would describe the process for choosing the best model to suit you. [ Read More ]Original link(Originally posted by Ivor Rackham)
Creating a strong image is more than just pointing a camera—it’s a detailed process of planning, capturing, and finally, editing. The editing stage in particular is where you bring out the colors, light, and mood you intended, creating a finished piece that truly reflects the moment and story you envisioned. [ Read More ]Original link(Originally posted by Alex Cooke)
When it comes to lenses, photographers who hear "ultra-wide" and "fast apertures" are usually bracing for an equally impressive price tag. The Viltrox 16mm f/1.8, however, seeks to deliver excellent optical quality and unique lens features at a reasonable price—in this review, I’ll see if Viltrox can execute a truly great ultra-wide prime. [ Read More ]Original link(Originally posted by Alex Coleman)

We meet every 2nd and 4th Thursday at:

Evelyn Greer Park (Pinecrest) 
8200 SW 124th Street 
Pinecrest, FL 33157

 

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