William Eggleston famously described himself as being "at war with the obvious," a compelling concept for any photographer to consider. Exploring what exactly counts as obvious—and why steering clear of it might make your work stand out—can help you create photographs people remember. [ Read More ]Original link(Originally posted by Alex Cooke)

Adobe MAX is a gathering of photographers, filmmakers, and designers who want to see the latest innovations the company is working on and learn from other creatives who have mastered using the company’s software to fulfill their creative vision. There was no stated theme for this year’s event, but it was apparent to me that Adobe is making an effort across all its platforms to reduce tedious tasks in the creative workflow. [ Read More ]Original link(Originally posted by John Ricard)

Adobe Firefly’s new AI tools—text-to-video and image-to-video—offer innovative ways to transform your creative workflow. [ Read More ]Original link(Originally posted by Alex Cooke)

Photography has always been about capturing light to preserve moments. For over a century, that meant exposing a roll of film and then disappearing into a darkroom or waiting for a lab to develop the images. It’s easy to forget how different this process was before digital cameras came along. In the 1970s, the idea of instantly seeing a photo on a screen felt like science fiction. Yet it was in this era of film and chemicals that a young engineer quietly built a device that would change photography forever. What follows is the story of how the first digital camera was invented and how it transformed the way we take and share photos. [ Read More ]Original link(Originally posted by...

When photographers debate lens quality, few brands stir up as much discussion as Zeiss. The Zeiss 55mm f/1.8, despite being over a decade old, still attracts plenty of attention—and debate. [ Read More ]Original link(Originally posted by Alex Cooke)

There are dozens of tripods on the market, and each has its advantages and disadvantages. None are suitable for every circumstance. The new model from Falcam TreeRoot, the Quick Lock Pro R240T, has a very specific use, and I put it through its paces to find out whether I need one. [ Read More ]Original link(Originally posted by Ivor Rackham)

AI technology has dramatically changed how Photoshop tasks are tackled, and embracing these tools can significantly streamline your workflow. [ Read More ]Original link(Originally posted by Alex Cooke)

Five years ago, I humorously "leaked: a rumor that Canon was about to release the RiP, a camera with a vertical sensor designed for Instagram influencers. Sadly, the RiP never came to market, but the concept may have inspired Fujifilm’s intriguing new camera. [ Read More ]Original link(Originally posted by Andy Day)

Today, Adobe is hosting its Adobe MAX conference for creatives in London, UK. The event showcases new software innovations and offers classes geared towards helping users maximize their ability to create and modify their art using the brand’s software. [ Read More ]Original link(Originally posted by John Ricard)

Skylum is rolling out a spring update to their popular AI-based editing program, Luminar Neo. Users should start seeing the update today when they launch the application. [ Read More ]Original link(Originally posted by Mel Martin)

Swirly bokeh lenses offer a distinctive look and ability to produce artistic images. If you're interested in photography that goes beyond technical sharpness and explores creative possibilities, this lens might be worth a closer look. [ Read More ]Original link(Originally posted by Alex Cooke)

Timing makes or breaks photography. Being ready for the right moment transforms average shots into memorable images. [ Read More ]Original link(Originally posted by Alex Cooke)

The business value of social media can’t be overstated, but not everyone wants to vamp in videos—the common path to stardom. Luckily, you don’t have to, says Janis McGavin, director of marketing and social media for the Los Angeles Center of Photography. “How do I know this?" she said. "I’ve done it.” She took the LACP’s following from zero to 18,000 followers (and growing) without appearing on camera. If you follow a few basic principles, you can expand your audience and your business without stepping in front of the camera (and even more if you do). [ Read More ]Original link(Originally posted by Roy Furchgott)

The Leica LUX app brought some fresh tools to mobile photography, but handling your phone like a real camera? That’s where the LUX Grip steps in. This isn’t just a Bluetooth shutter button. It’s an ergonomic extension that is meant to give you a DSLR-style hold while unlocking full control over your iPhone’s native features and LUX app functionality. [ Read More ]Original link(Originally posted by Gary McIntyre)

Lightroom's latest adaptive color profiles have photographers asking if traditional presets might become obsolete. [ Read More ]Original link(Originally posted by Alex Cooke)

One of the toughest parts of photography isn’t mastering camera settings or lighting setups—it’s actually about keeping the person you're photographing engaged. Your excitement doesn't automatically transfer, so learning how to clearly convey your ideas becomes essential. [ Read More ]Original link(Originally posted by Alex Cooke)

Choosing the right lens for real estate photography matters. It impacts your workflow, image quality, and ultimately, your bottom line. [ Read More ]Original link(Originally posted by Alex Cooke)

Affinity Photo 2 offers powerful tools to enhance your raw images quickly and accurately, giving you professional results without the complexity or high cost of other software. [ Read More ]Original link(Originally posted by Alex Cooke)

Contrast is one of those subtle elements that can elevate a photo, turning a flat image into something dynamic. Understanding how to manage contrast, especially in midtones, is essential to capturing richer, more vibrant images. [ Read More ]Original link(Originally posted by Alex Cooke)

Give your eyes a destination and a route to get there. Our job as artists is to find a place we want to direct the viewer’s eye to, find a way to direct them there, and then to show them what it is we want them to see. Everything else is just visual clutter. [ Read More ]Original link(Originally posted by Nathan McCreery)