YouTube is a great place to learn about photography. You can discover how to do something, research gear, and get inspiration. However, the problem with most photography content is that it’s structured around selling you stuff you don’t need. The latest example—a huge example—is the idea that you might need a 100-megapixel medium format camera. [ Read More ]Original link(Originally posted by Simon Burn)

When we think of AI editing tools, it’s easy to get caught up in flashy features like Generative Fill or the Remove Tool. But did you know there’s a whole world of lesser-known AI-powered tools in Photoshop and Lightroom? [ Read More ]Original link(Originally posted by Neil Arthurs)

Photography gear is constantly evolving, redefining what it means to be “professional.” Once, carrying massive DSLRs and powerful flashes was the mark of a serious photographer—now, smaller, more efficient setups are taking over. [ Read More ]Original link(Originally posted by CS Muncy)

It's a topic of constant debate amongst photographers: Is a full frame camera "better" than a smaller format? [ Read More ]Original link(Originally posted by Wasim Ahmad)

Panasonic has launched the Lumix S1R II. After sitting through the media briefing, I wondered if I had been daydreaming. On paper, the Lumix S1R II is possibly the best hybrid camera on the market. The specs are simply incredible. Potentially, it’s a creator’s dream come true. Let’s take a look at why. [ Read More ]Original link(Originally posted by Simon Burn)

Knowing when to stop editing a photo is one of the biggest challenges in photography. With endless tools at your disposal, it’s easy to push an image too far. Colors become unnatural, skin loses texture, and the final result can feel more artificial than real. Understanding when to stop isn’t just about technical limits—it’s about maintaining authenticity in your images. [ Read More ]Original link(Originally posted by Alex Cooke)

Flat, gray skies might seem uninspiring, but they offer a unique advantage. Instead of working around harsh shadows and strong highlights, you control the final image. The light is soft and even, allowing for more creative flexibility, especially in black and white photography. [ Read More ]Original link(Originally posted by Alex Cooke)

Sony has introduced the 16mm f/1.8 G, an ultra-wide full frame E-mount prime lens designed for both photographers and videographers. The lens offers a combination of compact size, high-resolution optics, fast autofocus, and a bright f/1.8 aperture, making it well-suited for landscape, architectural, and astrophotography applications. [ Read More ]Original link(Originally posted by Alex Cooke)

If you’ve ever wanted to dive deep into the entire process of editing a photo—from raw files to final stylization—this video is a must-watch. It’s a thorough tutorial that walks you through every step, and trust me, it’s packed with insights. [ Read More ]Original link(Originally posted by Neil Arthurs)

Sony has announced the 400-800mm f/6.3-8 G OSS, its longest full frame E-mount lens to date. Designed for birding, wildlife, and sports photography, the lens extends Sony’s mirrorless telephoto capabilities beyond the previous 600mm limit, reaching up to 800mm. It is also compatible with Sony’s 1.4x and 2x teleconverters, pushing its range up to 1,600mm. [ Read More ]Original link(Originally posted by Alex Cooke)

I have to say that on many days, I find myself using a DxO product—most frequently, their PureRAW software, which looks at my image metadata in my RAW files and gives me a near-perfect image, correcting my sensor/lens combination, sharpening, and removing imperfections like vignettes and ringing. DxO has more than 100,000 camera/lens combinations covering almost any gear. Even both my DJI drones are covered by DxO. [ Read More ]Original link(Originally posted by Mel Martin)

There are three pieces of really bad “pro advice” that have cropped up more than once on YouTube channels. We need to talk about this to help you avoid wasting time and losing money unnecessarily if you’re thinking about making a living from your camera. [ Read More ]Original link(Originally posted by Simon Burn)

Sony unveiled an incredible new 400-800mm super telephoto zoom lens today designed to help photographers get sharp close-ups of wildlife. As part of the announcement of the Sony FE 400-800mm f/6.3-8 G OSS lens, the company shared some images captured with this long-zooming lens and we’ve included five sample shots with this story. Calling it “the longest-range full-frame E-Mount lens to date,” the new Sony 400-800mm lens is designed for bird and wildlife photography and “extends Sony’s focal length range beyond 600mm for the first time.”  “With its 400-800mm zoom range, internal zoom mechanism for stability, and high-performance autofocus system, the 400-800mm F6.3-8 G OSS ensures sharp, detailed images even at extreme distances,” Sony said. If you want even more optical reach, the new...

Switching from Lightroom to another digital asset management and development tool can be daunting for photographers. There are very good reasons to, and DxO PhotoLab 8 is one of the most compelling options. Here’s why and how a Sony Ambassador made the switch. [ Read More ]Original link(Originally posted by Ivor Rackham)

AI is rapidly changing the photography industry, from editing tools to commercial applications. While it can speed up workflows and automate tasks, it also raises concerns about creativity, authenticity, and job security. The balance between efficiency and artistic control is something every photographer has to navigate. [ Read More ]Original link(Originally posted by Alex Cooke)

Macro photography opens up a world of detail that often goes unnoticed. Small subjects like fungi, moss, and intricate textures can turn into striking images when framed properly. But working at this level presents its own set of challenges, from finding the right focal length to dealing with distortion in certain lenses. [ Read More ]Original link(Originally posted by Alex Cooke)

Some natural environments are filled with interesting and unique compositions for landscape photographers. It can be like being a kid on a playground. How do you make sense of it all and distill the scenes down to images for your portfolio? [ Read More ]Original link(Originally posted by Jeffrey Tadlock)

As you may guess, I am not a fan of rules, and the question I often ask is, "Who made the rules, and why do they think they can tell me what to think?" In fact, I may get a T-shirt made that says in large letters, "Screw the rules and screw the horse they came on!" So there, I've said it. And if that sets your teeth on edge... just read on! [ Read More ]Original link(Originally posted by Nathan McCreery)

Zeiss has introduced the Otus ML series, a new line of manual focus prime lenses designed for professional photographers and high-end visual creators. The Otus ML family brings Zeiss’s signature optical quality to mirrorless mounts, launching with the 50mm f/1.4 and 85mm f/1.4 lenses in 2025. [ Read More ]Original link(Originally posted by Alex Cooke)

Adobe has announced the launch of Photoshop on iPhone, bringing its well-known image editing tools to mobile users. The app is designed to provide a streamlined, mobile-first experience while retaining essential Photoshop features such as layering, masking, and Adobe Firefly-powered AI tools. An Android version is expected later in 2025. [ Read More ]Original link(Originally posted by Alex Cooke)