The post On-Camera vs Off-Camera Flash: Which Is Best? appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan. From on-camera convenience to off-camera creativity, learn how to choose the type of flash that will set your photography apart. Is on-camera flash superior to off-camera flash? Well, it might be the easier option, but “easy” doesn’t always mean “best.” Yes, there are times when using an on-camera flash can yield decent results – but in my experience, off-camera flash often produces more flattering light. In this article, I delve into the advantages and disadvantages of both on-camera vs off-camera flash. I explore when each option shines; that way, you can make informed decisions based on your specific needs. Remember:...

During the pandemic, I did some gear juggling. I'm a little embarrassed to admit I changed systems twice in the space of 12 months and even more so about the reasons I made the second switch – but I learned some surprising lessons along the way. [ Read More ]Original link(Originally posted by Aaron Brooks)

If you like photographing people with prime lenses, you must choose the best possible focal length for your situation. After all, with prime lenses, you can’t zoom in or out. This is a simple guide that can help you to use the most suitable prime lens for photographing one or more people, and groups of people. [ Read More ]Original link(Originally posted by Nando Harmsen)

In a time when older cameras and lenses are getting new updated versions left and right, one of the best things to see is when the piece of gear gets an entirely new purpose. This is definitely something that no one expected from the new Sony f/4 telephoto lens. [ Read More ]Original link(Originally posted by Nicco Valenzuela)

Peak Design has a great reputation for well-made equipment. So, I was eager to try out their new Micro Clutch, as it met a need I had. Would it be as good as it promised? [ Read More ]Original link(Originally posted by Ivor Rackham)

Deciding which camera to buy can be challenging. But after doing some research, and taking advice from friends and other photographers, you'll find out which one to buy. The thing that nobody is talking about is the extra expenses that are involved. [ Read More ]Original link(Originally posted by Nando Harmsen)

The beauty of artificial lighting is that you can create looks that simply would not be possible using only the sun. One of the greatest technical challenges for a photographer is lighting a group portrait so that every individual is well lit but so the overall look is still sculpted and compelling rather than flat and two-dimensional. If you would like to really take your portrait lighting to the next level, check out this awesome video tutorial that will take you behind the scenes of a cinematic magazine cover photo shoot and show you how to do it yourself. [ Read More ]Original link(Originally posted by Alex Cooke)

Are we living in a post-truth era of photography, where the authenticity and reliability of images have become questionable? Given the rise in AI’s association with photography and the ease with which photos can be altered, it might be worth considering a return to the use of traditional film as a means to regain trust and ensure the integrity of photography. [ Read More ]Original link(Originally posted by Kim Simpson)

In today's rapidly evolving creative landscape where images are predominantly consumed and shared online, it is easy for us even as professional photographers to overlook the importance of physical prints and albums. Although the convenience and ubiquity of digital photography have made it simpler to store and share images electronically, there is still a unique charm and lasting impact to physical prints that allow people to truly experience and appreciate timeless images. In this article, we will be discussing the relevance and benefits of album sets and print sets while exploring how these products help us elevate our client relationship as a professional photographer. [ Read More ]Original link(Originally posted by Zhen Siang Yang)

When you are a hobbyist, you can enjoy buying gear however you want so long as you can afford it, but when you are a professional, you have to really change your philosophy to camera, lens, and lighting purchases. This excellent video tutorial features an experienced commercial photographer discussing his approach to buying gear and how he fulfills his needs without breaking the bank. [ Read More ]Original link(Originally posted by Alex Cooke)

Medium format lenses are normally quite expensive and of a narrow maximum aperture. So, the prospect of a 135mm f/2.5 lens for just $299 sounds almost too good to be true. That is what the new Mitakon Zhongyi Creator 135mm f/2.5 offers. [ Read More ]Original link(Originally posted by Alex Cooke)

Since July 4th, over 7,000 earthquakes have been recorded in the Reykjanes Peninsula in the southwest coast of Iceland, leading to sustained speculation that a volcanic eruption is imminent. Over the last couple of years, we have already seen this behavior twice in Iceland, and now, it looks set to happen again for a third time. [ Read More ]Original link(Originally posted by Greg Sheard)

Rarely is a landscape photo finished when you press the shutter. Almost every image takes some amount of editing to produce a finished product. In recent years, Lightroom has become a far more powerful editing tool, and it is now possible to complete many landscape images without ever heading over to Photoshop. This fantastic video tutorial will show you five different ways to improve your editing skills in Lightroom. [ Read More ]Original link(Originally posted by Alex Cooke)

As we consume social media, YouTube videos, and online articles, it is easy to think everyone else out there knows what they are doing. I made many mistakes early on in my landscape photography journey. I still make mistakes today! I’m going to share some of those early mistakes I made and things I wish I'd started doing sooner. [ Read More ]Original link(Originally posted by Jeffrey Tadlock)

Once your photos improve after practicing photography for a while, they will likely also attract a larger audience. And at some point, you might be asked if your photos are for sale. It is how I got into selling my images as prints more than ten years ago. In this article, I share an easy way to get started. [ Read More ]Original link(Originally posted by Michael Breitung)

Nude photo shoots can be intimidating for both the model and the photographer. Here's how I embraced the challenge, overcame intimidation, and found my creative flow. [ Read More ]Original link(Originally posted by Jada Parrish)

When it comes to cameras, two of the most important specs for landscape photographers are resolution and dynamic range. In recent years, cameras from Fujifilm and Hasselblad have reinvigorated medium format by modernizing camera options and reducing their prices to the point that they have become a viable alternative to full frame. So, which company makes the best camera for the genre? This helpful video review compares the Hasselblad X2D 100C and Fujifilm GFX 100S to help you decide. [ Read More ]Original link(Originally posted by Alex Cooke)

A decade ago, the idea of a reasonably affordable supertelephoto zoom lens that also produced professional-level images was almost unheard of. However, that particular market niche has exploded and recent years, and photographers now have a huge range of options to choose from. Which lens is right for you? This fantastic video review takes a look at many different options to help you pick. [ Read More ]Original link(Originally posted by Alex Cooke)

Astrophotography can be a tremendously fun and rewarding genre, but it takes some specialized knowledge, techniques, and often, equipment. If you are interested in capturing eye-catching photos of the night sky, check out this fantastic video tutorial that will show you everything you need to know to get started. [ Read More ]Original link(Originally posted by Alex Cooke)

Here’s a quick easy technique using Lightroom’s masking feature where you’re assured the color you choose will work with what your subject is wearing, because you’re pulling a color from the image itself (it’s better than it sounds and easier than you’d think). Here goes: Above: Here’s our original image, shot on a roll of gray seamless paper. STEP ONE: Click on the Masking button (the gray circle with the white dotted lines circling it), and in the Add New Mask section at the top, click on ‘Background.’ (as shown above). STEP TWO: The background gets a red tint over it to show which area it masked for you (as seen above). STEP THREE: Scroll down to the Color panel and...