I took this panoramic photo of the Greek city of Nafplio while climbing up what seems like an endless number of steps up to the Palamidi fortress that overlooks the whole city and bay. Nafplio was the first capital of the modern Greek state for a few years before the government decided to move the capital to Athens. The photo was taken ultra-wide at 14mm and cropped for panoramic proportions 2:1.

Shot on Nikon Z7
f/13
1/160 sec
ISO 100
14mm

I took this photo during a recent trip to the Greek island of Lefkada on the Ionian Sea. The boat had very nice LED lights that added to the overall scene of the sunset. The photo was cropped for panoramic 2:1 ratio.

Shot on Nikon Z7
f/8
1 sec
ISO 200
35mm

This panorama was taken out of four photos, stitched together in LR.Camara D 850
Location Dolomites, Italy.

This panorama was made out of 7 vertical images stitched together in LR.
Camara D 850. Location: Lago di Braies, Dolomitas, Italy last September.

This photo was captured at the Fairchild Botanic Gardens using a panoramic technique. Six vertical images were taken, overlapping by one-third, guided by the rule of thirds grid in the camera's viewfinder, all hand-held. A circular polarizer filter was used to enhance the water and sky. Equipment included the Fuji X-H2s camera with a Fujifilm 16-80mm lens set at 16mm. The settings were Shutter Speed: 1/250, Aperture: f/11, and ISO: 3200. Post-processing was completed in On1 Photo Raw 2025 and enhanced with Nik Software Color Efex Pro.

Photo capturing a plain departing from MIA with Miami Downtown in the background. Heat from engines blurring in the the back track.

A herd of buffalo with the new calves. Photo is from Yellowstone Park and they were a good distance away so did not take any risks with this photo.

This photo is a view from the Parcours Borest, a short walk from Corvara. Camera was a Canon SX2000 IS.

This photo was captured at the Green Cay Nature Center & Wetlands at Boyton Beach using a panoramic technique. Six vertical images were taken, overlapping by one-third, guided by the rule of thirds grid in the camera's viewfinder, all hand-held. A circular polarizer filter was used to enhance the water and sky. Equipment included the Fuji X-H2s camera with a Fujifilm 16-80mm lens set at 16mm. The settings were Shutter Speed: 1/160, Aperture: f/10, and ISO: 500. Post-processing was completed in On1 Photo Raw 2025 and enhanced with Nik Software Color Efex Pro.